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It was the start of a lineage that would bring us the classic H3000 multi–effects - a staple of any self–respecting studio in the ’80s - and which includes current models like the Eclipse, H8000FW and H7600. Their original H910 Harmonizer was the first commercially successful pitch–shifter, and one of the first digital effects units to reach the market.
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It’s hard to think of a bigger name in the world of hardware effects than Eventide. What is here, however, sounds stunning, and with such a strong preset library behind it, the H3000 Factory just about manages to vindicate its pricetag.Eventide’s H910 and H949 Harmonizer emulations have been rewritten from the ground up in Anthology X, and the new Dual versions are a real boon.Īnthology X makes many of Eventide’s signature effects available in native plug–in formats for the first time. It's certainly disappointing that Eventide were unable to include a greater range of algorithms from the original hardware, to allow genuine replicas of many more of the classic H3000 patches. Also worthy of note is that pretty complex patches can be put together with a pretty low CPU hit.
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#EVENTIDE H910 HARMONIZER NATIVE PATCH#
Using these as starting points, great fun can be had, and the patch lead system, which might look like a gimmick, really comes into its own when you're modifying the preset patches. We find that the H3000 Factory is best used for panned effects and delays, from the quite basic 'Scaled Pan Delay' to the busier 'Filter Delays' and on to some crazy ones like 'Lost In Space' and 'MC Filtered Echoes'. "The patch lead system might look like a gimmick, but it really comes into its own when you're modifying the preset patches"
#EVENTIDE H910 HARMONIZER NATIVE MOD#
There's also a ton of special effect patches ('Alert', 'Jet', 'Laser Echo', 'Sub Rumble Generator', etc) utilising the triggered LFOs and Mod Knob, and plenty of sound mangling and filtering ('Aliens', 'MC Weird Phase', 'Son Of Kamikaze'). However, all is not lost, as some have been recreated using the multi-faceted Factory algorithms, and you'll find a good vocal doubler ('Tight Dual Shift'), widener ('Phantom Double') and a recreation of the original 'MicroPitchShift'. So, that means no 'Voc Doubler BC', 'Dual H910s', 'Watery Chorus', 'Big Snare' or 'Crystal Echoes', to name but a few sought-after sounds. There are quite a few replica patches from the hardware, but many of the classic algorithms aren't here (Reverb Factory, Reverse Shift, and Layered Shift, for example). Paging through the presets gives not only a general sense of what it is that the H3000 Factory delivers (delays, filters, modulation and pitchshifters), but also what it doesn't (no true flangers, phasers, reverbs, etc). Programming an H3000 from scratch isn't for the faint-hearted, so it's good to see that plenty of presets are included (we counted 464), the highlights being a collection of patches from the likes of Dave Darlington and Richard Devine. "Programming an H3000 from scratch isn't for the faint-hearted, so it's good to see that plenty of presets are included (we counted 464)"